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Far away from conventional architecture, Pastel understood work on the street as a urban acupuncture. Modern cities are full of “Non-places” because of irregular and not inclusive masterplanning. So paintings can be a kickstart for those places, working on the local identity and not being another tool of social gentrification.
Pastel tries to base his work on experiences. Considering the space where he gets to create his artworks, it may be a city, a rural space, an open space or a closed space. First of all by trying to understand the conditions that the environment offers and not to impose an already established concept for the space.
Working with flora as social symbolism, the pieces begin a dialogue about the nature of man and his surroundings. The existential, real, pure and tragic, almost forgotten in modern society.


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